MY TWO CLIENTS ARE MIRANDA KERR AND ANGELA MERKEL. KERR EMPLOYS SEXUAL, FEMININE AND AESTHETIC POWER. WHILE MERKEL REPRESENTS ACADEMIC AND POLITICAL POWER. BOTH IN THEIR OWN RIGHT ARE INFLUENTIAL AND HAVE A HIGH PROFILE IN THE PUBLIC EYE. SOCIETY LOOKS TO THEM IN ASPIRATION, ADMIRATION AND FOR GUIDANCE.
MY SELECTED BUSINESS IS THE “WOMEN’S COUNCIL FOR WORLD LEADERS” – MERKEL IS AN OFFICIAL MEMBER. KERR WILL JOIN TO REPRESENT A SOCIAL STAND POINT. THE MEETING PLACE FOR THESE CLIENTS IS IN THE LIFTS. THE LIFTS PIVOT TO COME TOGETHER TO FORM A BOARD ROOM. WHILE UP THE LIFTS CAN BE USED AS OFFICES – TO SHOW THAT THEY INDIVIDUAL ACTIVITIES ARE WHAT THE CLIENTS BRING TO THE COUNCIL. THIS IS THE ONLY TIME THE CLIENTS MEET. APART FROM BEING WOMEN LEADERS, THE CLIENTS DON’T HAVE MUCH IN COMMON.
THE LANDFORM IS USED AS A METAPHOR FOR SOCIETY. THE BRIDGES FORM IS LINEAR, DEFINED AND CLEAR. THE RECTILINEAR FORM CONTRAST WITH THE ENVIRONMENT TO REPRESENT HOW THOSE IN POWER STAND FORWARD AND STAND OUT IN SOCIETY. IN THE SAME SENSE THE STRUCTURE IS VISIBLE (IN THE FORM OF I BEAMS) AND OBVIOUS AS IT STANDS STRONG AND CONNECT WITH THE FORM, JUST LIKE POWER.
THE USE OF RAW MATERIALS, SUCH AS BRICKS AND GLASS, SHOW THAT THERE IS A LINK BETWEEN THE POWER OF THESE WOMEN AND SOCIETY. THE SIMILAR COLOURS AND TRANSPARENCY SHOW THE IT IS SOCIETY HAVE DEFINES THE SUCCESS OF THESE WOMEN, SO THEY HAVE A RELATIONSHIP IN THIS WAY.
THE ROOF TOP GARDEN IS TO COMMUNICATE THE IDEA THAT THE LANDFORM FLOWS ONTO THE BRIDGE, WHILE THE BRIDGE SUPPORTS IT, IT ALSO EMERGES FROM IT! IN THE SAME WAY, SOCIETY IS HELD UP BY THE POWER OF THESE WOMEN, BUT IT IS SOCIETY WHERE THEIR POWER BEGAN/BEGINS.
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